Monday, July 14, 2014

Sunday, June 29, 2014

Metallica at Glastonbury

30+ years into one of the most remarkable careers in the history of recorded music, Metallica is still offending more people than any other metal band. At this point, being one of the most popular bands in the world should have rendered them innocuous, but as their headlining spot at Glastonbury this weekend proved, they're still causing more uproars and infuriating more listeners than Watain or Burzum could ever dream of.

I love this t-shirt they sold at the show, honoring the elitists in Mogwai, The Guardian and even Judas Priest, who fumed at the idea of Metallica headlining a hippie-themed festival (front and back image courtesy of Blabbermouth).


Metallica also addressed a widely-circulated internet petition urging the festival to ditch the band over James Hetfield's choice to narrate a History series on bear hunting. While animal rights activists (who apparently cared more about associating themselves with a high profile event than actually doing anything for animals) got up in arms, Metallica filmed an intro video with Julien Temple (The Great Rock 'n' Roll Swindle, The Filth and the Fury) poking at the controversy. It's pretty silly, but it made me smile to see the band have fun in the face of adversity, even a small one like this.



And of course, the show looks and sounds incredible. What a band.


Friday, June 27, 2014

The Pogues, "Body of an American"

Whereasthe Congressoftheunited states byaconcurrentreso-
lutionadoptedon the4thdayofmarch lastauthorizedthe Secretary-
ofwar to cause to be brought to theunitedstatesthe body of an
Americanwhowasamemberoftheamericanexpeditionaryforcein-
europe wholosthislifeduringtheworldwarandwhoseidentity has-
notbeenestablished for burial inthememorialamphitheatreofthe
nationalcemeteryatarlingtonvirginia.

In the tarpaper morgue at Chalons-sur-Marne in the reek
of chloride of lime and the dead, they picked out the pine box
that held all that was left of
enie menie minie moe plenty other pine boxes stacked up
there containing what they’d scraped up of Richard Roe
and other person or persons unknown. Only one can go.
How did they pick John Doe?
Make sure he aint a dinge, boys,
make sure he aint a guinea or a kike,
how can you tell a guy’s a hunredpercent when all
you’ve got’s a gunnysack full of bones, bronze buttons
stamped with the screaming eagle and a pair of roll puttees?
...and the gagging chloride and the puky dirt-stench of the yearold dead...

The day withal was too meaningful and tragic for applause.
Silence, tears, songs and prayer, muffled drums and soft music were
the instrumentalities today of national approbation.

John Doe was born (thudding din of blood in love into
the shuddering soar of a man and a woman alone indeed
together lurching into

and ninemonths sick drowse waking into scared agony
and the pain and blood and mess of birth). John Doe was born

and raised in Brooklyn, in Memphis, near the lakefront
in Cleveland, Ohio, in the stench of the stockyards in Chi, on
Beacon Hill, in an old brick house in Alexandria Virginia, on
Telegraph Hill, in a halftimbered Tudor cottage in Portland the
city of roses,
in the Lying-In Hospital old Morgan endowed on
Stuyvesant Square,
across the railroad tracks, out near the country club, in a
shack cabin tenement apartmenthouse exclusive residential
suburb;
scion of one of the best families in the social register,
won first prize in the baby parade at Coronado Beach, was
marbles champion of the Little Rock grammarschools, crack
basketbaliplayer at the Booneville High, quarterback at the
State Reformatory, having saved the sheriff’s kid from
drowning in the Little Missouri River was invited to
Washington to be photo graphed shaking hands with the
President on the White House steps;—

though this was a time of mourning, such an assemblage
necessarily has about it a touch of color. In the boxes are seen the
court uniforms of foreign diplomats, the gold braid of our own and
foreign fleets and armies, the black of the conventional morning
dress of American statesmen, the varicolored furs and outdoor
wrapping garments of mothers and sisters come to mourn, the drab
and blue of soldiers and sailors, the glitter of musical instruments
and the white and black of a vested choir

—busboy harveststiff hogcaller boyscout champeen
cornshucker of Western Kansas bellhop at the United States
Hotel at Saratoga Springs office boy callboy fruiter telephone
lineman longshoreman lumberjack plumber’s helper,
worked for an exterminating company in Union City,
filled pipes in an opium joint in Trenton, N. J.
Y.M.C.A. secretary, express agent, truckdriver,
fordmechanic, sold books in Denver Colorado: Madam Would
you be willing to help a young man work his way through
college?

President Harding, with a reverence seemingly more
significant because of his high temporal station, concluded his
speech:

We are met today to pay the impersonal tribute;
the name of him whose body lies before us took flight with his
imperishable soul...
as a typical soldier of this representative democracy he fought
and died believing in the indisputable justice of his country's cause...


by raising his right hand and asking the thousands within the
sound of his voice to join in the prayer:

Our Father which art in heaven hallowed be thy name...

Naked he went into the army;
they weighed you, measured you, looked for flat feet,
squeezed your penis to see if you had clap, looked up your
anus to see if you had piles, counted your teeth, made you
cough, listened to your heart and lungs, made you read the
letters on the card, charted your urine and your intelligence,
gave you a service record for a future (imperishable soul)
and an identification tag stamped with your serial
number to hang around your neck, issued O D regulation
equipment, a condiment can and a copy of the articles of war.
Atten’SHUN suck in your gut you c—r wipe that smile
off your face eyes right wattja tin
k dis is a choich-social? For-war-D'ARCH.

John Doe and Richard Roe and other person or persons Unknown
drilled hiked, manual of arms, ate slum, learned
to salute, to soldier, to loaf in the latrines, forbidden to smoke
on deck, overseas guard duty, forty men and eight horses,
shortarm inspection and the ping of shrapnel and the shrill
bullets combing the air and the sorehead woodpeckers the
machineguns mud cooties gas-masks and the itch.
Say feller tell me how I can get back to my outfit.

John Doe had a head
for twentyodd years intensely the nerves of the eyes the
ears the palate the tongue the fingers the toes the armpits, the
nerves warmfeeling under the skin charged the coiled brain
with hurt sweet warm cold mine must dont sayings print
headlines:
Thou shalt not the multiplication table long division,
Now is the time for all good men knocks but once at a young
man’s door, It’s a great life if Ish gebibbel, The first five
years’ll be the Safety First, Suppose a hun tried to rape your
my country right or wrong, Catch ‘em young, What he dont
know wont treat ‘em rough, Tell ‘em nothin, He got what was
coming to him he got his, This is a white man’s country, Kick
the bucket, Gone west, If you dont like it you can croaked him
Say buddy cant you tell me how I can get back to my
outfit?

Cant help jumpin when them things go off, give me the
trots them things do. I lost my identification tag swimmin in
the Marne, roughhousin with a guy while we was waitin to be
deloused, in bed with a girl named Jeanne (Love moving
picture wet French postcard dream began with saltpeter in the
coffee and ended at the propho station) ;—
Say soldier for chrissake cant you tell me how I can get
back to my outfit?


John Doe’s
heart pumped blood:
alive thudding silence of blood in your ears
down in the clearing in the Oregon forest where the
punkins were punkincolor pouring into the blood through the
eyes and the fallcolored trees and the bronze hoopers were
hopping through the dry grass, where tiny striped snails hung
on the underside of the blades and the flies hummed, wasps
droned, bumblebees buzzed, and the woods smelt of wine and
mushrooms and apples, homey smell of fall pouring into the
blood,
and I dropped the tin hat and the sweaty pack and lay flat
with the dogday sun licking my throat and adamsapple and the
tight skin over the breastbone.

The shell had his number on it.

The blood ran into the ground.

The service record dropped out of the filing cabinet
when the quartermaster sergeant got blotto that time they had
to pack up and leave the billets in a hurry.
The identification tag was in the bottom of the Marne.

The blood ran into the ground, the brains oozed out of
the cracked skull and were licked up by the trenchrats, the belly
swelled and raised a generation of bluebottle fi1es,
and the incorruptible skeleton,
and the scraps of dried viscera and skin bundled jn khaki

they took to Chalons-sur-Marne
and laid it out neat in a pine coffin

and took it home to God’s Country on a battleship
and buried it in a sarcophagus in the Memorial
Amphitheatre in the Arlington National Cemetery
and draped the Old Glory over it
and the bugler played taps
and Mr. Harding prayed to God and the diplomats and
the generals and the admirals and the brass hats and the
politicians and the handsomely dressed ladies out of the society
column of the Washington Post stood up solemn
and thought how beautiful sad Old Glory God’s Country
it was to have the bugler play taps and the three volleys made
their ears ring.

Where his chest ought to have been they pinned
the Congressional Medal, the D.S.C., the Medaille
Militaire, the Belgian Croix de Guerre, the Italian gold medal,
the Vitutea Militara sent by Queen Marie of Rumania, the
Czechoslovak war cross, the Virtuti Militari of the Poles, a
wreath sent by Hamilton Fish, Jr., of New York, and a little
wampum presented by a deputation of Arizona redskins in
warpaint and feathers. All the Washingtonians brought flowers.

Woodrow Wilson brought a bouquet of poppies.

--John Dos Passos, 1919

Wednesday, June 4, 2014

Living Colour, "Solace of You"



I saw Living Colour earlier this week, and have been on a kick ever since. I thought it would be a good nostalgia show, and it was--their energy and musicianship is always first rate. But the songs also held up much better than I remembered. "Cult of Personality" is deservedly a classic, but the range of tracks they performed from Vivid and Time's Up made me wonder why both of those records are underrated in 2014.

My co-attendee commented on how surprisingly diverse their influences are, and that may have something to do with it. A band that covers Robert Johnson, Talking Heads, "Amazing Grace," MC5 and James Brown all in the same night is bound to alienate someone. The hipsters who know "Cult of Personality" probably lump it in with Megadeth and the other thrash metal bands they ignore, and headbangers who bought Vivid likely wanted more meat and potatoes rocking. But for those of us who enjoy more than one type of music, Living Colour offers a plethora of riches.

"Solace of You," from Time's Up, sounds like it could have been written and recorded for Paul Simon's Graceland. Living Colour are often wrongly described as "funk metal" (or worse, rap-metal) by people who don't know how to handle the individuality of an all-black rock band. But more so, Living Colour gave metal a stronger sense of African-American tropes and history than any other band, exhibited by the American Afrobeat of "Solace of You." Not only did they bring something to the game that distinguished them from Metallica and Guns N' Roses, but they beat (and bested) Vampire Weekend and tUnE-yArDs to these polyrythms by about 18 years.